This week's Review Revue revisits Bongwater's The Power Of Pussy. See what KCMU DJs thought back in the day.
On her stunning debut album, the Portland singer/songwriter approaches her craft with the dedication and attention many people reserve for their gardens.
This week's Review Revue revisits Kate Bush's classic Hounds of Love. See what KCMU DJs thought back in the day.
Mount Eerie's 2017 album, A Crow Looked at Me, was a stunning and devastating document of loss. On Now Only, Phil Elverum attempts to move on with his life while recognizing the grief that is still -- and will likely always be -- with him.
On his new album, the Seattle producer takes a (not exactly) dastardly turn which strongly reflects the unpredictable, self-governing nature of his career.
This week's Review Revue revisits The Breeders' landmark debut. See what KCMU DJs thought back in the day.
Olympia noise-wielders Broken Water formed in 2008. By 2015, they broke up almost without a trace. For his first act as Throwaway Style's new columnist, Martin Douglas surveys the trio's all-too-brief tenure.
DoNormaal, The Exploding Hearts, and finding the thread that connects Pacific Northwest music
This week's Review Revue revisits one of David Bowie's "lesser-liked albums." See what KCMU DJs thought back in the day.
In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.
