Saqqara Dogs seems to be yet another band that absolutely delighted a certain subset of nerdy college radio DJs (and soon-to-be-incredibly-influential New York Times music critics - you've got to love any band that forces the Times to refer to someone as "Mr. 66"), but didn't seem to make much of a…
Recurring is the final album by Spacemen 3 -- released after their parting of ways -- and the third album of theirs I've covered in this space (see also here and here). I could talk about the band's acrimonious split and the genesis of Spiritualized, or the fascinating details behind Spacemen 3's M…
It's been great to see all the celebration of various independent radio stations around the country this week. Part of what makes this series so fun for me is digging through the scribblings of college radio DJs who were on the air around when I was discovering some of my favorite music through col…
When I first ever heard of Steve Albini's provocatively-named band between Big Black and Shellac (after they'd ceased operations) I was already a fan of his, so I just kinda rolled my eyes and thought "ah, there goes ol' Steve again, ruffling feathers and pushing buttons." Being a fairly sheltered …
Say what you will about the Internet age, but this whole "global flow of instantly accessible information" thing definitely has its uses. A couple of which are pointed out by the conversation on the album cover for Hallelujah All the Way Home, the debut album by New Zealand band The Verlaines. For …
It's always inspiring to see bands releasing new and interesting music thirty years into their careers. (I'll be honest and admit I haven't heard 2015's Stuff Like That There - I'll blame that on the fact that it was released one month before my son was born - but I'm just assuming it was new and i…
Red Wedding (and my selection of this album for this particular week may or may not be related to the start of the new season of Game of Thrones) was a pretty obscure band even by Review Revue standards. It sounds like they had quite the reputation as a live band around L.A., but they only released…
If the gender politics of the Raunch Hands were controversial 30+ years ago (and they were, as you will see below), I'm not surprised you don't hear them much on the air these days. In fact, I can't find reference to a single Raunch Hands spin on KEXP in recent years - even on Shake the Shack, whic…
I am learning so much today! For starters, I've found out about Rank and File, a band I was previously unaware of. They're often described as a founding band of the country-punk hybrid cowpunk genre, but with my 2017 ears they sound more like "cow-new-wave" or "cow-'80s-college-rock" - but I see ho…
In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.
