Unlike many of the bands I've covered in this blog over the years, I've actually heard of Hunters & Collectors! I'm not sure where or how I first was made aware of this long-running Australian band, but I presume it was in my formative years, listening to college radio in the Boston area. As I …
I feel like it's been a while since we featured some album-cover reviews with a solid dose of healthy disagreement and debate. And it may be a while yet, because honestly, while there was plenty of disagreement at KCMU circa 1990 around the Manchester band Inspiral Carpets' LP Life, it wasn't parti…
One thing about browsing through the KEXP stacks is that you never know when you'll come across something that should probably be in a museum, and not on a shelf where some grubby-fingered scribe such as myself can pull it out, snap a picture of the cover, and transcribe the pithy comments scrawled…
Today, over five and a half years after my post about Lida Husik's 2nd album and its reception at KCMU, I decided to share her very first album. Way back in 2010, I was lamenting whatever oversight had led to Ms. Husik's not being on Wikipedia, and expressing excitement that she was working on her …
I was pleasantly surprised by the reaction from our occasionally snobbish friends at KCMU circa 1989 to the eponymous major label debut by Indigo Girls (who I'm assuming need no introduction, but maybe millennials have no idea who I'm talking about; well, I guess this record is as good a place to s…
Madison noisemeisters Killdozer certainly had their fans at KCMU, if the reaction to 1986's Burl EP is to be believed, but it seems their loyalty was being tested by the covers collection For Ladies Only. From 25 years in the future, it's hard to remember that heavy, noise-laden (and maybe ironic?)…
The bass-wielding demigod known as Jah Wobble (né John Wardle, renamed by Sid Vicious, who also allegedly gave him his first bass) should need no introduction, especially around these parts, but here's the quick version: First heard holding down the low end with PiL, he soon moved on to his own var…
I think I've found, in Ed Ka-Spel (and his band Legendary Pink Dots), an artist who could go up against Peter Hammill in terms of voluminous artistic output and lasting influence. Yet again I find myself faced with an insanely daunting discography and biography, and a raft of adoring comments (and,…
In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.
